Torbjørn Rødland’s photography is direct but idiosyncratic, pushing at the boundaries of aesthetic and social norms. His fifth book, Vanilla Partner, continues in this vein, combining images of fetishized isolation in a layout that rejects the linear structure of thematic photography books.\n\nRødlands practice navigates through the problematic and seemingly unchanging heart of popular photography. Accepting neither the humanist realism of most photographic portraiture nor the postmodern role-play, Vanilla Partner explores the cultural complexities and archaic foundation of contemporary image-making. Reconstructed scenes of ultrasoft BDSM read like twisted metaphors for photographys ability to freeze or capture. The book title, dripping in innuendo, also poses a question about the ambiguity of the relationship between the artist and his medium. Is Rødland acknowledging the mediums straight foundation or does he see himself dominated by it? Many of the images also have explicit political references, often linked to the 1980 US Presidential election.\n\nVanilla Partner brings together works made in Oslo, Tokyo, Beijing and Rødlands current home, Los Angeles.\n\nTorbjørn Rødland was born in 1970 in Hafrsfjord, Norway. Since the mid-90s his photographs have been exhibited widely.