Something, Nothing, Always/ Algo, nada, siempre
When he was nine, he moved to A Coruña. When he was fifteen, his father, an amateur artist, gave him a totally manual Voiglander camera to photograph his paintings, drawings and iron pieces. Later he uses photography as a crib in his studies of Technical Architecture (which he never finished). He never pretended to make a living from photography but now he cannot live without it, he is interested in turning the ordinary into extraordinary.
He seeks to evoke, suggest and make the spectator dream. A lover of the timeless and the undefined, he learns to achieve effects from defects. He is not interested in fashions and trends. He uses B&W and color indistinctly. He believes that todays world lacks poetry and that technology should not surpass emotions. He is more intuitive than intellectual, and believes that chance is more exciting than certainty.