Ishiuchi Miyako. Mother’s 2000-2005: Traces of the Future
Miyako, Ishiuchi
Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions.
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