Twenty-one-year-old Peter Heisterkamp began signing his colorful and playful abstract artworks Palermo in 1964, when peers noted his resemblance to the American gangster Frank Blinky Palermo. This handsome booka historical and critical study of Palermos painting from the time he entered Joseph Beuyss now famous class at the Düsseldorf academy in 1964 to his death in 1977explores his significance for postwar and abstract art.
Christine Mehring notes that over the course of Palermos brief career he created five concurrent but distinct bodies of work: objects, cloth-pictures, wall-paintings, metal-pictures, and collaborative projects, primarily with his friend and colleague Gerhard Richter. Mehring shows how each of these groups demonstrates Palermos efforts to lead German art out of its international isolation and to transform modernist painting into historically resonant abstraction by incorporating artifice, humor, period colors, and play.
Christine Mehring is associate professor of art history at The University of Chicago.